serious brainy doodling. (i love Vi Hart)
more and more and more here.
Saturday, December 17, 2011
Tuesday, December 6, 2011
icy cold stuffs for Apex Magazine.
Issue 31 of Apex Magzine just went live! It's an amazing line-up of fiction, poetry, and non-fiction, edited by the amazing Lynne Marie Thomas. Oh... and I got to do the cover art :)
I met Lynne at World Con this year, where she brought up doing some art for the December issue, "Something cool and atmospheric".
It was a delight to work with Lynne to create the cover, and the content inside is just delicious. So go buy a copy! You won't be sorry :)
I met Lynne at World Con this year, where she brought up doing some art for the December issue, "Something cool and atmospheric".
It was a delight to work with Lynne to create the cover, and the content inside is just delicious. So go buy a copy! You won't be sorry :)
Monday, December 5, 2011
down time, Bones, Sean Bean Death Reel, new tricks, etc.
As a way of taking some downtime between projects, I recently immersed myself into episode after episode of Bones (yah, I'm a later starter: currently in the middle of season 3.. SHHHH!! don't tell me *ANYTHING*).
Bones and body organs and body liquification... (Haven't gotten to that episode yet, but wow.) (Plus humor, drama, sexual tension, Oh yes.)
In addition, I've been reading a lot of good stories. Almost all of them written by friends and acquaintances. ( I am blessed.)
Also, indulging in just some straight up doodling in my sketchbook. For no reason what-so-ever except I want to:
Then learning a new Photoshop trick where-in I am able to 'lift' the drawing off the page, for easier coloring. (VERY helpful, as I still prefer my analog natural-hand-drawn lines to what I can sketch out on the wacom tablet) This isn't the best example of the trick, but here's what I did with that previous sketch:
Oh... and random, but have you seen this montage of the many cinematic deaths of Sean Bean?? (warning: Spoilers. And death. Violent death. Over and Over and Over.)
Anyhow, enough with the downtime. I need to get right to work on internal illustrations for the FISH anthology, finish up the cover art for Bibliotheca Fantastica, do an illustration or so for the December issue of the Lovecraft Ezine, Illustrate an essay for Sunstone magazine, gear up to do some illustrations for the Bronies anthology, and get prepped to start work on the cover art for Wendy N. Wagner's debut novel, Dark Depths. (omg... SQUEEEEEEEE!!!!)
Ready Set Go.
Bones and body organs and body liquification... (Haven't gotten to that episode yet, but wow.) (Plus humor, drama, sexual tension, Oh yes.)
In addition, I've been reading a lot of good stories. Almost all of them written by friends and acquaintances. ( I am blessed.)
Also, indulging in just some straight up doodling in my sketchbook. For no reason what-so-ever except I want to:
Then learning a new Photoshop trick where-in I am able to 'lift' the drawing off the page, for easier coloring. (VERY helpful, as I still prefer my analog natural-hand-drawn lines to what I can sketch out on the wacom tablet) This isn't the best example of the trick, but here's what I did with that previous sketch:
Oh... and random, but have you seen this montage of the many cinematic deaths of Sean Bean?? (warning: Spoilers. And death. Violent death. Over and Over and Over.)
Anyhow, enough with the downtime. I need to get right to work on internal illustrations for the FISH anthology, finish up the cover art for Bibliotheca Fantastica, do an illustration or so for the December issue of the Lovecraft Ezine, Illustrate an essay for Sunstone magazine, gear up to do some illustrations for the Bronies anthology, and get prepped to start work on the cover art for Wendy N. Wagner's debut novel, Dark Depths. (omg... SQUEEEEEEEE!!!!)
Ready Set Go.
Thursday, December 1, 2011
The Troupe (by Robert Bennett)
Bragging rights~ I read the early draft of The Troupe. It is AWESOME.
Now, you have got to go RIGHT NOW to the book's website and get a tiny taste for yourself (readings, music, easter eggs, etc).
It's hard to choose... but I think that the scene for Stanley is my favorite:
Alrighty, now, you have got to pre-order your copy of The Troupe on Amazon, or Barnes & Noble, or Booksamillion, or google Ebook, or indiebound, or iBooks, or Mysterious Galaxy, ( etc...) You Must Have This Book!
((It was a pleasure to work with Robert Bennett, creating the illustrations for The Troupe's website. His vision and talent are astounding.))
mad photoshop painting skillz.
Seriously. Wow. (Thank you, Jacob Ruby, for showing me this )
I've been trying to Photoshop in a more painterly way. Pushing pixels around like how I used to push pigments. I have to admit, the ability to have every object on a separate layer for easily re-sizing, moving, flipping etc, is... well, is a lot easier than doing that with pigment on canvas. It's easy to feel "lazy" or that I'm "cheating" with photoshop. This especially on my mind as I look into attending the Illustration Masters Class, where there will be a lot of emphasis on traditional mediums.
Anyhooo... I try not to pay those feelings too much mind. Right now, I'm merely trying to take my photoshop skills to the next level.
Here's my latest:
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